Milan Siljanov

ABOUT

ENGLISH
...and Milan Siljanov as a warm Montano.
— Washington Post

Hailed for his “fiery and persuasive vocal presence ” (Bachtrack) and “a heartbreakingly intense singing that took one`s breath away” (Süddeutsche Zeitung), the 34-year-old Milan Siljanov returns to the Ensemble of the Bavarian State Opera in the 2021-22 season for productions of Der Freischütz, The Nose, Die Zauberflöte, Tosca, and The Cunning Little Vixen working with such distinguished conductors and directors as Vladimir Jurowski, Ivor Bolton, Daniel Oren, Mirga Grazinyte-Tyla, Barrie Kosky and Dimitri Tcherniakov. This season also marks the Irish National Opera debut of the Swiss-Macedonian bass-baritone in a production of Carmen led by Kenneth Montgomerry and directed by Paul Curran. He will finish his the season with a performance of Un ballo in maschera with Gianandrea Noseda at the Verbier Festival.

In the coming season 2022-23, he will debut in the role of the Forrester in The Cunning Little Vixen with Theater an der Wien led by Giedre Slekyte and directed by Stefan Herheim. He will come back to the Bavarian State Opera to sing in Hänsel und Gretel, La Traviata, Die Zauberflöte, and La Calisto.

Performance highlights during his tenure in the Munich ensemble thus far include Leporello in Don Giovanni, Dulcamara in L’elisir d’amore, Schaunard in La bohème, Donner in Das Rheingold, Peter Besenbinder in Hänsel und Gretel, Montano in Otello, Harashta in The Cunning Little Vixen, and Kilian in Der Freischütz working with Kirill Petrenko, Antonello Manacorda, Bertrand de Billy, Hans Kupfer, Lotte de Beer, and many more.

 

Equally in demand on the concert platfrom, his recent engagement incule Bach’s Mass in B minor with Klaus Mäkelä (Oslo Filharmonien); Verdi’s Messa da Requiem (Residentie Orkest Den Haag); Bach’s St Mattew Passion at KKL Lucerne (Orchstra La Scintilla); Puccini’s Messa da Gloria (MDR Radio Symphony Orchestra); Mozart’s Requiem with Constantinos Carydis (Mozarteumorchester Salzburg); and Beethoven’s Symphony No. 9 with Erik Nielsen (Bilbao Symphony Orchestra).

 Passionate about Art Song, Milan and collaborative pianist Nino Chokhonelidze have been regular guests at international venues such as the Wigmore Hall in London, Tonhalle Zurich, Concertgebouw Amsterdam, and Oxford Lieder Festival.

 Milan Siljanov is a member of the Verbier Academy 2016 where he has been awarded the Prix Yves Paternot, the festival’s highest honour for young musicians. He is the winner of the prestigious Wigmore Hall Song Competition 2015. He won both the Audience Prize and the Second Prize at the ARD International Vocal Competition in 2018 and was a finalist at the Moniuzsko Competition in Warsaw in 2019.

 Milan Siljanov was graduated from the Guildhall School of Music and Drama where he studied under the tutelage of Rudolf Piernay. A Samling alumnus, his studies at GSMD where generously sponsored by the Worshipful Company of Wax Chandlers and Independent Opera. Previously, he had studied at the Zürcher Hochschule der Künste under Scot Weir, where he finished his Master Pedagogy Diploma cum laude.

DEUTSCH
 

 

As Dulcamara, Milan Siljanov brought a delightfully outsized personality to the
role. He’s an incredibly tall guy, with a voice to match, and held the stage with warm
congeniality. He savoured the text, dispatching it with wit and affection.
— Opera Traveller
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PERFORMANCES

UPCOMING
PAST

 

 
Keiner seiner Kollegen aber übertrifft Milan Siljanov an Intensität. Der ARD-Musikpreisträger mit dem voluminösen Bassbariton legt zwei “Jedermann”-Monologe von Frank Martin und kunstvolle Bearbeitungen mazedonischer Volkslieder von Darija Andovska opernhaft an, auch mimisch, wenn er etwa die Augen verzweifelt aufreißt.
Phänomenal hier auch die geistesgegenwärtige Begleitung durch die Pianistin Nino Chokhonelidze: Das ist, mit einem Wort, Herzensmusik.
— Abendzeitung München
 
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As Christ, tall bass Milan Siljanov was convincing. His delivery was big enough for two halls, and its brilliant resonance shook those of us in the spare (Covid-restricted) audience to the bone. His very presence and resonant bass were exemplary.
— Bachtrack
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REPERTOIRE

OPERA
CONCERT
 
Ein weiterer Höhepunkt des Abends war nach drei Liedern Schumanns dessen Ballade
von der “Löwenbraut”: ein Mädchen, das seit Kindtagen einem Löwen verbunden ist,
verabschiedet ihn nun mit einem letzten Kuss, um einem ungeliebten “fremden
Mann” zu folgen - mit tödlichen Folgen für Mädchen wie Löwe. Was für ein grandios
allegorisches Gedicht von Adelbert von Chamisso; was für eine genial abgründige
Vertonung; welch’ ein herzzerreißend intensives Singen, das den Atem stocken ließ.
— Süddeutsche Zeitung
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